Wednesday, December 16, 2009

‘What is it that’s lost when you cross a border? Each moment seems to be split in two. Melancholy for what was left behind and on the other hand, all the enthusiasm at entering new lands'
(The Motorcycle Diaries)

Finally, the time has come for me to go back. It still doesn’t seem real, none of it. Neither the fact that I’ve been here for 14 months nor that in about a week I won’t be anymore. The day we knew for sure that I was going to come to York, my mum said she felt exactly the way she did when I was starting school. And sure enough it was just that all over again. An event that would mean that I would have to leave home, that I would meet new people and make new friends, that I would find new interests, start dressing differently, that there would be things I wouldn’t be able to wait to share with everyone at home and that there would be things that I couldn’t tell them.

It has been a good year. I met wonderful people and saw literally magical places. (I’m definitely not the first to discover that if you see the Yorkshire moors, it’s Tolkien’s middle earth... it’s all here!)It has taught me a lot and the things that have happened within this period have given me peace and pains and pleasures in parts of my mind that I didn’t know I had.

Call it a full circle or whatever you will but I remember being excited and devastated in equal parts when I left India, and now that I’m going back it’s the same feeling. Yes, home will always be home and it’s a very different kind of devastation but I look back on the year that I spent in those two houses on Tang Hall Lane and I can’t help thinking... I may never see those places ever again... and when I’m sitting in my lovely house in Pune – sunny, warm and infested with marvellously wilful dogs and people- those houses will seem like two tiny little dots so far away in time and space that soon I won’t be able to touch them even in my memories...

Thursday, November 5, 2009

I won't panic!


So there is a Hitchhiker's sequel that has recently come out. It's called And another thing. The title comes from a line in So long and thanks for all the fish that goes:
'The storm had now definitely abated, and what thunder there was now grumbled over more distant hills, like a man saying "And another thing..." twenty minutes after admitting he's lost the argument.'

As much as I appreciate how clever the title is, it's also kind of sad; exactly like a man saying 'and another thing' when there's nothing he could possibly say that would make any difference. I'm sure that Eoin Colfer is a brilliant writer and the fact that he is the one writing the 6th book in the Hitchhiker's trilogy means that I'm going to get my hands on all his other books the first chance I get and find out what he has been upto all these years. But why would he write a hitchhiker's book? Why would anyone?

It's not like we read all those books for the stories. No one's going mad asking 'what happened next?'. I'm not sure people even got their heads around what happened in the first five books. But we didn't care. We didn't even notice. The whole point of all those books was having a tiny peeping window into this whirlwind of a genius that was Douglas Noel Adams's mind! They were basically DNA's guides to the galaxy. I'm not really bothered that much about another h2g2. What I really want is another couple of hundred pages full of ideas and language stamped 'DOUGLAS ADAMS'.
I'm dying for another sentence like:
'The ships hung in the sky in much the same way that bricks don't.'

Maybe Eoin Colfer will have come up with things like that; even better ones. But if a dear friend dies and then you meet another person- someone just as funny, just as witty, just as fantastically sharp and just as keen- you'd still miss knowing what your old friend would have done, said.
By the time I had finished Mostly Harmless, DNA was an old friend.
And my only real apprehension about this new book is that with every word, it will make me think of how much I would love for him to be alive and writing again.
I don't like that feeling. It hurts more than you might think. I don't like the fact that I'm going to have to read And another thing anyway. And it doesn't matter whether it's terrific and worthy of the title or not. It will still hurt. It's somewhat of a perfect lose-lose situation.
I feel cheated for having this touchy part of my tiny universe disturbed and I want to run away and keep running till I find someone who'll tell me what to do or think or feel (without being condescending). Someone like Douglas Adams.
But if I were to refer to the guide right now, before it told me anything else- anything at all about sci-fi sequels, dead authors, lose-lose scenarios or being a sentimental dupe- it would give me the most helpful advice there is to give in this world (written in large friendly letters on the cover). It would say:

Don't Panic

So I won't!

Tuesday, May 26, 2009

To begin with...

I don’t know if degraded puns were fashionable in Wordsworth’s day. I do hope they were; such a waste of a word’s worth otherwise.

Wait! Don’t stop reading just yet. I’m perfectly aware of how repelling that must have been for most of you and I do apologise. But it was one of those things that you have to say out loud even if you realise that probably the same thought has struck everyone else at some point but they’ve just shown superior judgement in terms of character, sanity and communal well being by pretending it hasn’t. Because there’s the other part of you that thinks may be, just maybe there is reason to believe that no one else has really thought about it, or hasn’t put it in words or hasn’t put it that well in words; maybe it’s not as pathetic an idea after all!

Which is what all those who write have in common, I suppose. The desperate urge to address, the constant commotion created by the ‘other part’ that calls for an audience because it thinks it has found something new, something fascinating, something that deserves attention. Fortunately for everyone, they -or dare I say ‘we’ (The best thing about writing about writers is that no one can come up to you and say ‘What do you know about writing?’ You could fish out the dullest, foulest most sterile set of words, but the second those words settle themselves on paper, you’re one of ‘them’, one of us!) – Fortunately for everyone, every now and then they do manage to come up with something that deserves attention or in exceptional cases, things that deserve more- affection, admiration, even aggression or attack! But what I find interesting and quite embarrassing is the fact that in order to be able to write you also have to be able to read what you’ve written and say, ‘Hmm... Can’t deny there is something to it. I wonder if others will see what I see.’

Giving in to or perhaps even feeling the need to write, is admitting to your self and to others that you are indeed capable of work worth other people’s time, sentiment and contemplation and more importantly, work worth your own efforts and consideration. For all my struggles with modesty, humility and self doubt, when I start writing, I do feel superior (if that’s the right word). ‘Look! Look!!’ yells every part of my being from page to page, dashing madly from upper-case to full stop and back again ‘Look! I came up with that, all by myself! And to be honest I can do better; but you do agree that it’s a fascinating idea, don’t you?’

And it would have been magnificent if that was the end of the story. A constant feeling of superiority that you must bear as an accessory for the possibility of actually creating something superior some day! Not a bad bargain at all. But how I wish the feeling of superiority was constant! Because you see, contrary to what we’ve been told through ages of bed-time stories and pages of religious text, modesty or humility is not that hard a thing to find. It’s just that the manner in which these things present themselves is not always virtuous!

At least that’s what I think. Most writers have their spells of modesty to go along with their bouts of superiority. And I could not for the life of me, bring myself to settle on either of the two. One usually ends up in a state of unrest and uncertainty over one’s originality, merit and appeal. No amount of appreciation can nullify the wrecking numbness of self doubt. I’m not sure if it’s a fairly modern thing that has come about as a result of thousands of years of digging out and creating all sorts of literature and critique or if the first man ever to write a superfluous word was just as susceptible to it, but this fear of being found out is unquestionably, quite a bitch!

The fact that people everywhere continue to write in spite of all this, is testament to their earnest urge to do so, their helplessness against it, their nerve to succumb to it and the sheer smugness that comes from the whole thing! All said and done, not an entirely unpleasant crowd!